The fans of 'Speed' are very different from the fans of 'To Wong Foo,' which are different from 'Donnie Darko.' Look at the classics I've been in: 'No Country for Old Men'... 'Little Miss Sunshine'... 'Rain Man' was my first big studio movie! How lucky is that?
I have a total irreverence for anything connected with society except that which makes the roads safer, the beer stronger, the food cheaper and the old men and old women warmer in the winter and happier in the summer.
I began with small roles in successful movies like 'No Country For Old Men' by the Coen brothers; but it was 'The Last Exorcism' that changed my life: with what I earned, I left Texas and moved to Los Angeles.
You know when you're young and you see a play in high school, and the guys all have gray in their hair and they're trying to be old men and they have no idea what that's like? It's just that stupid the other way around.
Every night, I say goodnight to the kids like Rajesh Khanna, muah muah, two kisses, say goodnight to my wife, and every night, I'd go to the recreation room and watch cricket with two old men.
If you look at all the vampires in the past, they were sort of decrepit old men. Stephanie Meyers just made it for a new audience. All the vampires are now young men and she describes them as not being ugly.
Old men need applause too.
I can do lovers. I can do Sir Galahad types. I'm not going to limit myself in voice-overs to irascible old men.
'No Country for Old Men' was epic.
Old men are dangerous: it doesn't matter to them what is going to happen to the world.
